Tuesday, January 13, 2009

Saturday, October 25, 2008 E-Mail this article to a friend Printer Friendly Version Share this story! del.icio.us digg Reddit Furl Fark TailRank


SLAMABAD: A three-day exhibition of exclusive formal and wedding designer wear by ‘Zarmina’ and an exhibition of diamond jewellery started at Khiva Gallery on Friday.

Fashion designer Zarmina has put on display a wide range of autumn and winter wear collection embellished with beads, pearls and a sequence on different fabrics mainly on cotton, chiffon, velvet, and jamawar.

Zarmina’s designs, especially the cuts on ‘chickenkari’, have a certain peculiarity that displays her intellectual and professional taste and skills. She came on the fashion scene two years back and is known among the women of taste and class. Born in NWFP, Zarmina has exhibited her work extensively across the country.

The exclusive variety of dresses attracted fashion cautious women of federal capital.

Ranging from classic to quirky, the variety was extensive from casual, evening and party wear for special occasions and bridal wears.

The dresses overcastted with thread and needlework grabbed the attention of visitors.

Each dress was unique in design, colour with beautiful embroidery, stones and sequence work. Most of dresses were an amalgamation of hues, glitters, and ravishing styles with pastel and ravishing styles with vibrant shades on both heavy and light fabrics.

Talking to Daily Times, Zarmina said she never got inspired or even bothered to see another designer’s work to copy that. “I want to express my own ideas through my designs to seek my own identity. My work is largely for middle aged women not for teenagers as just a few of this collection are sleeveless or half-sleeved,” she said.

She said this was her second exhibition in the federal capital.

Jewellery exhibition: Tahira Junaid with her brand ‘Kohinoor’ has offered a unique collection of ‘pure diamond jewellery’ and gold and silver jewellery gilded with gems, emeralds, rubies, sapphires, tanzanite and other precious and semi-precious colour stones.

One of the highlights of Junaid’s collection was her deftness to use rare gems and real stones for female accessories in bangles, bracelets, necklaces, rings, cufflinks and pendants.

“I started this work formally three years back with inspirations from family members and relatives. I have exhibited my work in Karachi, Lahore, Multan and Rawalpindi and now in Islamabad,” Junaid told Daily Times.

She said ‘Ponchi’ was a very different article in her collection that was yet to be known commonly. “Ponchi is just like a bracelet but over 80 percent females are not aware of this product, so it is exclusively designed for females of Islamabad,” she added.

“I brought all my diamond work from Lahore and Karachi. But Kundan work is all from Lahore and Multan. In Kundan collection, I have used 21 carat gold with precious stones while in diamond jewellery, I have used pure South African diamond of 22 carat,” she said.

Source: http://www.dailytimes.com.pk/default.asp?page=2008\10\25\story_25-10-2008_pg11_7

Values of Diamonds

Exchange rate between the old and present value is:
1FF = US$0.195 £1 = US$140.0

The valuation of a diamond, involving as it does a nice appreciation of the defects and of the good points of the stone, and the striking of a just balance between the two, is a matter of no little difficulty, and can only be performed with accuracy and rapidity by an expert. In this section we shall confine ourselves to a consideration of the value of diamonds, which are to be used as gems, selecting those to be applied to technical purposes, the value of which depends on the weight and the current market price.

Of all the characters, which help to determine the value of a diamond there is perhaps none more potent than that of size. Other things being equal, the larger the diamond the greater its value, and, moreover, the ratio of progression in price is greater than that of progression in weight, owing to the comparative rarity of large stones. Since the discovery of the South African deposits, however, this disparity has been less marked, and the value of stones not exceeding a certain size and which are of frequent occurrence, is influenced to a large extent by the exigencies of the trade. Exceptionally large and beautiful stones, the so-called solitaires, paragons, or nonpareils, have, corresponding to the rarity of their occurrence, an exceptional value, which is subject to no rules and is governed solely by the special circumstances of the case.

The value of a diamond depends very largely upon the form in which it is cut. Although during the process of cutting the weight of a rough stone is reduced by one half or even more, yet its intrinsic value is greater than before, on account of the almost immeasurable improvement in its appearance effected by the faceting. The brilliant is by far the most effective form of cutting, and at the same time is the form, which involves the greatest expenditure of skill in the cutting, hence a brilliant-cut diamond commands a higher price than a rose or indeed any other form. Among brilliants themselves different degrees are recognisable, a stone which is correctly proportioned and which bears a large number of facets having a greater value than one less admirable in these respects. A brilliant which possesses no cross facets, the large facets being produced until they meet in the girdle, is described as being" once formed"; while the terms" twice formed" and" thrice formed" are applied respectively to stones which bear cross facets only below the girdle, and to those which possess these facets both above and below the girdle. The value of a brilliant, therefore, is the greater the more complex is its form of cutting, and in the same way the value of stones cut in any of the other forms varies with the symmetry and completeness of that form. A perfect brilliant of one carat has at least four times the value of a rough stone of the same weight and quality, and five-fourths the value of a rose of this size and quality.

The value of a rough stone also is influenced to a certain extent by its form, for, as we have seen, stones whose form in the rough approximates most nearly to that of the cut stone are most favourable for cutting. Thus octahedral and rhombic dodecahedral crystals can be fashioned into brilliants with less labour and loss of material than is the case with irregularly shaped stones, which often need considerable preliminary shaping, if not actual division into portions suitable for cutting. Among such stones must be included flat specimens, like the twinned crystals shown in Fig. g and h, which cannot be cut of brilliants and are suitable only for cutting as roses. Another property, which greatly facilitates the process of cutting is that of cleavage; a simple crystal, from which the cleavage octahedron can be readily developed, is therefore far more desirable than a twinned crystal, such as is shown in Fig. i, or an irregular crystal group which, as often as not, can be utilised only as bort.

The value of a diamond depends most of all, however, on the degree of its transparency, clearness, and purity, the colour it possesses, and its freedom from flaws. Of these qualities transparency and clearness stand first in importance, and the possession of these qualities in perfection renders a diamond extremely valuable.

Those faults, which impair the transparency and lustre of a stone, diminish its value very considerably. Large enclosures of black, brown, or of some other colour are frequently seen, as are also enclosures of "sand" and "ash", and yellow spots technically known as "straw". A fine surface polish over certain areas of a stone is often made impossible by the presence of white, grey, or brown "clouds" or by "icy flakes" of no definite colour, which are developed when the stone is allowed to become over-heated during the process of grinding. The existence of internal cracks following the direction of cleavage, and known as "feathers", not only impairs the transparency of the stone, but also renders it liable to fracture during the process of grinding or when in use as an ornament. All these faults, even if insignificant in extent, become very obvious in the cut stone; numerous images of them are being reflected into the eye of the observer from the various facets of the stone. Should they be present in large numbers the stone is not worth cutting, but is regarded as bort.

With regard to the colour of diamonds, stones, which are perfectly colourless and water-clear are, as a rule, most highly prized, the so-called blue-white quality, which is more rare in stones from the Cape than in those from India or Brazil, being specially admired. Even a trace of colour, so small as to be indistinguishable to an unpractised eye, lowers the value of a stone very considerably, the diminution in value being still greater when the colour is more perceptible. Of coloured diamonds, those displaying tones of blue, grey, red, and yellow are preferred to those, which are coloured brown or black. A coloured diamond, which is lacking in transparency, is of very much less value than one of the same colour, which is clear and transparent.

Those diamonds which, in addition to perfect transparency and clearness, possess a pronounced and beautiful colour, are on account both of their rarity and beauty very highly esteemed, and always command a much higher price than the most perfect of colourless specimens. Among these so-called "fancy stones", red, blue, green, and yellow specimens are included, the last-named, however, since the discovery of the Cape deposits, are by far the most common. Compared with colourless diamonds, coloured specimens exist in quite insignificant numbers. Diamonds showing different degrees of transparency and clearness and freedom from faults are usually classified as stones of the first, second, and third water, and are valued accordingly. Stones of the first water (1st quality) are perfectly colourless, transparent, and water-clear; they are free from any fault or blemish or tinge of colour and stand first in point of value. Colourless stones showing insignificant faults, or stones which are free from faults, but tinged with colour, are placed in the second division and referred to as stones of the second water, while stones of the third water display very obvious faults or a colour of undesirable depth. A further division of the stones of the latter description is sometimes made, and in this class are placed the smallest diamonds, which can be used as gems. It is by no means easy, however, in every case to place any given stone without hesitation in one or other of these three or four classes, and it may often be observed that a stone referred to as being of the second water by one jeweller will be placed in the first class by another. Generally speaking, it may be said that a brilliant of the second water has only about two-thirds of the value of a similar gem of the first water, while the values of two roses of the first and second qualities are in the ratio of four to three.

Taking the value of a brilliant of the first water as unity that of a similar brilliant of the second water will be 2/3, while the values of roses of the first and second water will be expressed by the fractions 4/5 and 3/5. It may be remarked here that it is almost impossible to classify rough stones in this way, since the qualities on which the classification depends are not sufficiently obvious until the stone has been cut.

It appears from the writings of Pliny, that among the ancients the diamond was regarded as the most costly of precious stones, and indeed of all personal possessions. Such, however, is not the case at the present time, for the price of a colourless diamond of good size is always exceeded by that of a ruby of the same size, and generally also by that of an emerald, or even of a blue sapphire if of special beauty. This, of course, does not apply to the few diamonds, which possess a fine colour in addition to their other beautiful qualities, the price of such stones being more or less prohibitive.

While the relative value of diamonds of different qualities changes but little, the absolute prices paid depend on a variety of conditions and are subject to considerable fluctuation. The earliest record in existence of the price of a diamond is that made by the Arabian Teifaschius, who, in the twelfth century, valued a 1-carat diamond at 2 dinars (about £6). In the year 1550, Benvenuto Cellini placed the value of a beautiful stone of the same weight at 100 golden scudi, a sum which is stated by Schrauf to be equivalent to 200 Austrian florins (£20), and by Boutan to 1,100 francs (£44). This latter value is abnormally high, and is probably based on an incorrect estimate of the value of the scudi. In 1609 Boetius de Boot gave the value of the carat-stone at 130 ducats (about £22), while the price mentioned in the anonymous work, The History of Jewels, published in London in 1672, is from 40 to 60 crowns (£8 to £12). This large fall in the value of the diamond is probably to be attributed to the effects of the Thirty Years War. According to Tavernier, the price of a carat-stone in 1676 was £8, and contemporary writers both in Holland and at Hamburg confirm this statement. The price of rough diamonds had sunk in 1733 to £1 per carat, but this fall was due to the panic, which followed the discovery of diamonds in Brazil. In the next year the price of the carat-stone had risen to £1 10s, at which it stood for several years subsequently. In 1750 the famous London jeweller, David Jeffries, the author of a Treatise on Diamonds and Pearls, records the value of a fine one-carat cut stone at £8, which is the same as the value given by Tavernier in 1676. In a work on precious stones, entitled Der aufrichtige Jubelier, published at Frankfurt-on-the-Main in 1772, the high price of 120 thalers (£18) is mentioned for a stone of the same description.

At the time of the French Revolution prices fell very considerably, and as far as can be ascertained from the valuation of the French crown jewels and from the prices fetched by the many less valuable stones which changed hands at this time, it would seem that in 1791 a one-carat cut stone would fetch no more on an average than £6. When more settled times came, however, and Napoleon's luxurious court was established, the price again rose, and in 1832 £9 could be obtained for a one-carat brilliant, and rough stones of a quality suitable for cutting fetched 42s to 48s or even £3 per carat. Later on still, in the year 1859, rough stones of the same description were worth from £4 to £5 5s. per carat, while in 1860 and 1865 £13 to £18 was paid for a one-carat cut stone.

In the year 1869, shortly before the Cape diamonds came on the market, the following prices, according to Schrauf, were current: rough stones suitable for cutting, and similar to those which come in large parcels from the countries in which they are mined, cost £5 per carat; parcels of stones, the larger proportion of which could be used only as bort, made £1 to £2 per carat; while parcels containing nothing but bort were sold for 4s to 6s per carat. The prices recorded for cut stones show the importance, which was attached not only to the quality of a stone but also to the form and manner in which it had been cut.

A one-carat brilliant of the first water was worth £20 to £25, one of the second water £15, while one-carat roses of the first water were worth only £15 to £18; a brilliant of 1/2 carat would fetch £6, one of 1 carat £l2, and one of 1/10 carat £1; for small roses, of which 50 go to the carat, £15 per carat was paid; very small roses of about 1000 to the carat cost about 6d each. Only at most prosperous times, in the sixteenth and at the beginning of the seventeenth centuries, were such high prices paid as were current for diamonds in 1869. In the following table, compiled by L. Dieulafait, may be seen the prices in francs (25 francs = £1) which were paid for brilliants of 1 to 5 carats in the years 1606, 1750, 1865, and 1867. The prices current in the year 1878, which are given further on, are incorporated in this table in order to show the fall which took place in consequence of the discovery of the South African diamond-fields, and which followed a steady rise in the years 1867 to 1869.

1606 1750 1865 1867 1878
1 carat 545 202 453 529 110
2 carats 2182 807 1639 2017 350
3 carats 4916 1815 3151 3529 625
4 carats 6554 2470 - - 975
5 carats 8753 5042 8067 8823 1375

The prices current for brilliants of ordinary size at the end of the seventies is best seen from the following table, which was compiled by Vanderheym, on behalf of the syndicate of Parisian jewellers, for the Paris Exhibition of 1878. Two brilliants of weights from 1 to 12 carats and of four qualities were exhibited, and the prices in francs given in the table are for the pair of stones:

Weight (carats) 1st quality 2nd quality 3rd quality 4th quality
1 220 180 150 120
1 1/2 400 300 250 200
2 700 600 480 400
2 1/2 950 800 625 525
3 1250 1020 780 660
3 1/2 1600 1225 945 720
4 1950 1440 1120 960
4 1/2 2350 1642 1305 1080
5 2750 1900 1500 1250
5 1/2 3250 2117 1705 1430
6 3700 2340 1920 1620
6 1/2 4250 2567 2112 1820
7 5000 2765 2310 1995
7 1/2 5800 3000 2550 2175
8 6700 3240 2800 2360
8 1/2 7600 3485 3060 2550
9 8500 3735 3330 2700
9 1/2 9400 3990 3562 2897
10 10300 4250 3800 3050
10 1/2 11400 4515 4042 3255
11 12500 4840 4290 3465
11 1/2 13700 5175 4600 3737
12 15000 5400 4800 3900

The prices given in the above table of course apply only to the time at which it was compiled. A striking feature of the table is the difference, which exists between the prices of stones of the same weight but of different qualities, especially in the case of stones of the first and second waters. The difference between the value of a 1-carat stone of the first water and one of the second water is much greater than between stones of the second and third waters, and in larger stones the difference is still greater. Thus a 1-carat stone of the first water is worth almost three times as much as a stone of equal weight of the second water, the values of stones of this size of the second and third quality being in the ratio of nine to eight. The explanation of the apparent anomaly lies in the fact that in the Cape deposits large diamonds of the first water are rare, while stones of large size but inferior quality are abundant.

A consideration of the table will also show to what a small extent the values of diamonds at the present day are in agreement with the so-called Tavernier's rule, according to which the value of a stone is proportional to the square of its weight. While the value of a 1-carat stone of the first quality would be, according to Tavernier's rule, 110 X 12 X 12 = 15,840 francs, its actual value in 1878, according to the table, was 7,500 francs, or not quite half. The application of the rule to smaller stones results in a calculated value which is still further removed from the actual value; thus the value of a 6-carat diamond of the first water calculated by this rule would be 110 X 6 X 6 = 3,960 francs, while it is actually worth but 1,850 francs. At the present time, this tendency is even more marked than it was in 1878; the value of stones up to 15 carats is approximately proportional to their weight, so that a 1-carat stone is worth about double, and a 3-carat stone about three times as much as a 1-carat diamond. This holds good, at any rate, for the three inferior qualities of stones, but in the case of diamonds of the first water the increase in value is not proportional to the increase of weight.

The price of a 1-carat stone of the first water calculated by Schrauf's rule, according to which the value of a 1-carat stone is multiplied by the product of half the weight of the stone into its weight plus 2, would be 110 X 6 X 14 = 9,240 francs, the tabulated value being 7,500 francs; the value thus calculated, although nearer the mark than in the former case, is still considerably too much. As in the case with Tavernier's rule, the values calculated by Schrauf's rule for smaller stones are still further from their actual value, the calculated worth of a 6-carat stone being 110 X 3 X 8 = 2,640 francs while it is actually worth but 1,850 francs. At the present time the market price of a fine 1-carat brilliant is £15; in exceptional cases, however, £20 to £25 may be given for such a stone.

The price of stones of exceptional size, that is of those weighing anything over 1-carats, is not governed by rule, and depends very much on what a rich person or State is disposed to give for them. Diamonds of exceptional size and of unusual colours are not common articles of commerce, and their price, while always, of course, very high, depends on the number of would-be purchasers, which can be found for them.

With regard to the prices current for smaller diamonds, it is impossible to say much more than has been already said, for, after all, the value of stones of ordinary size depends to a very large extent on their quality. The price of cut gems and of rough stones always differs very widely; the latter are not, as a rule, bought and sold singly but come into the markets in large parcels, those from the Cape being carefully sorted and arranged according to quality, while parcels from Brazil consist of unsorted stones of all qualities.

METHOD OF DIAMONDS MAKING

The invention deals with artificial diamonds production by means of explosion and results in obtaining materials with special properties. Diamonds are produced by means of graphite powder compacting in the capsule of the mold using simultaneous explosion of two special-form blasting charges directed to each other.

The invention deals with artificial diamonds production by means of explosion and can be used to obtain materials with special properties.

There is a method of making diamonds and diamond-like materials (patent of the RF #2051093, С 01 В 31/06, 21/064, В 01 J 3/08, 1995.) which includes carbonic materials compacting in the chamber by means of simultaneous explosion of two blasting charges placed on the opposite ends of the blank.

The drawback of this method is the fact that compacted carbonic blank is freely placed in the chamber and this hinders from obtaining a big diamond crystal.

Also there is a method of making diamonds (patent of the RF #2124079, С 30 В 29/04,

В 01 J 3/08, С 01 31/06, 1998) when graphite powder is calked in the capsule of the mold and compacted by means of the explosion of a blasting charge according to calculated compacting process parameters.

The drawback of this method is absence of directed heating from the explosion and, hence, one-sided compacting of the graphite powder.

In our method these two drawbacks are eliminated because the graphite powder is compacted using simultaneous explosion of two blasting charges of a truncated cone shape placed on both ends of the capsule. There is a cavity on the smaller base of each charge facing the end of the capsule.

Our method if compared with the other two gives the best solution to the problem of obtaining high quality diamonds.

The essential feature of the method claimed is calking and compacting of the graphite powder in the sectional capsule of the mold using simultaneous explosion of two blasting charges directed to each other.

The mold for making diamonds is presented in Fig. 1, 2:

Fig. 1. Assembled mold before graphite powder compacting.

Fig. 2. Assembled mold after graphite powder compacting.

The mold consists of case 1 in which bush 2 and capsule 3 with graphite powder 4, screws 5 with blasting charges 6, electric detonators 7 and cardboard bushes 8 are placed.

Bush 2 is comprised of two parts with cutoff points along the axis and has a ring riffle 9 inside. Capsule 3 is made of two parts 10, 11 inserted in each other. These parts have ring lugs 12 on the bases of their cylinders. In the screws 5 there are cavities 13 for blasting charges 6 with electric detonators 7 and channels 14 for power cables.

Blasting charges 6 of the truncated cone shape have cavities 15 on the smaller bases of each charge facing the end of the capsule 3.

According to the method diamonds are made in the following way.

The mold is assembled in accordance with Fig. 1; then blasting charges 6 are set off. The explosion leads to heating of parts 10, 11 of capsule 3 and graphite powder 4 inside and pressing the powder. Under the inner pressure of graphite powder 4 ring lugs 12 are introduced into the ring riffle 9.

After the gas pressure is released through channels 14 the mold is disassembled and the diamond crystal 16 is extracted

THE INVENTION FORMULA

The method of diamonds making includes calking and compacting of the graphite powder in the capsule of the mold using explosion of blasting charges according to calculated compacting process parameters. The distinctive feature of the method is compacting of the powder by means of the simultaneous explosion of blasting charges of a truncated cone shape placed on both ends of the capsule; there is a cavity on the smaller base of each charge facing the end of the capsule.

Source: http://web.vrn.ru/diamond/opisanie_e.htm

How to make a diamond

Research commissioned by the Diamond Trading Company shows that 94% of women prefer natural diamonds to synthetic ones.

However for the remaining 6% there are two established ways to make your own diamond.

The first way, first achieved by Swedish company ASEA in 1953, and then by GEC in the US involves using large pressures and temperatures. Synthesis takes place within a cylindrical capsule containing a source of carbon, a solvent catalyst made from cobalt, nickel and iron, and a seed crystal. The capsule is placed between an anvil and die made from tungsten carbide at a pressure between 5 GPa and 7.1 GPa (50 000 to 70 000 atmospheres) and temperature between 1200 and 1500 oC. A temperature gradient of a few tens of degrees can help growth from the seed diamonds. These high pressure high temperature (HPHT) techniques can grow diamonds from a few hundredths to a few tens of carats. With the largest commercially available diamond being 3 carots (0.6 g).

Uncut HPHT diamonds differ from natural diamonds in there external shape. HPHT diamonds have a cubo-octahedral morphology as opposed to the octahedral morphology of natural diamonds. After cutting the original shapes can be distinguished because the uptake of impurities is different in different growth directions. Individaul faces exhibit different colours or fluoresence intensities. Some HPHT diamonds will exhibit strong fluorescence due to electronic transitions at atomic impurities containing nickel or cobalt from the solvent during growth. Inclusions of titanium or zirconium metal can also be trapped in the diamond when they are added to limit discolouration of the diamond by the prescence of nitrogen.

Chemical vapour deposition (CVD)
Another way of making diamond is to form a plasma from carbon-containing gas which is then deposited onto wafers of synthetic diamond. Carbon is initially deposited as graphite, but hydrogen etches away any graphite that is formed during deposition leaving only diamond structures behind. The ability to produce extermely high-purity diamonds with well-controlled doping makes this the preferred route to explore future technical applications such as electronic devices.

Source: http://bainite.wordpress.com/2006/09/29/how-to-make-a-diamond/

Monday, January 5, 2009

DIAMOND RING




A Diamond is a girl's best friend as it is said and when the diamond is studded in a ring it becomes a symbol of love..

Diamond rings have always been a favorite amongst young men and women about to start a new relationship. Either a proposal or a marriage gift it is the best thought on every romantic persons mind.

Diamonds are said to be eternal and so they never seem to go out of fashion. Today many jewelry designers have come up with their new and creative range using different colored gems and stones carrying a price tag of Rs 5000 to 50,000 but a slight touch of diamond to these creations makes the jewelry priceless, that's the magic of diamonds and hence diamonds still maintain their status

If one is fond of diamonds but they seem to be a bit heavy on the pocket then just best buy for them can be a diamond ring, it may consist of tiny bunch of four to five diamonds or a single solitare may just do the trick though solitaires may be expensive.

A diamond ring's range starts from Rs 2500 to Rs 25 crores. Infact some diamond rings from famous jewelry designers are made only on request !!

Diamond rings are also a symbol of status, bigger the size of the diamond on the ring, higher the status- as the one with two heart shaped huge solitaires on Mrs.Tina Ambani says it..

Endorsed By Bollywood & Hollywood Celebrities : International Celebrities like Jeniffer Lopez, Late Princess Diana, Goldie Hawn, Sally Field, Hillary Clinton, Chelsey Clinton, Elizabeth Hurley, Anna Kournikova, Madonna, Sharon Stone, Jemima Khan have adorned this graceful Indian diamond ring jewlery at high profile social, music, hollywood and fashion events.

Indian diamond ring jewelry is clearly the flavor of choice in the West and also the designer choice from the World's Hottest jewelry designers. You might have seen these amazing diamond rings worn by the leading Indian actresses in Hindi Bollywood movies too. These include the leading ladies Kareena Kapoor, Preity Zinta, Aishwarya Rai, Rani Mukherjee, Kajol, Sushmita Sen, Lara Dutta, Priyanka Chopra, Neha Dhupiya, Madhuri Dixit, Karishma Kapoor, Ameesha Patel, Raveena Tandon, Amrita Rao, Rekha and several others.

Aditya Chopra gifts diamond ring to Rani


Slowly and steadily the relationship is progressing towards marriage. Though Rani always replied aggressively to media whenever her marriage issue was raised but knowingly or unknowingly, she has shown many signs of her presence in Yashraj head honcho Aditya Chopra’s life. The first sign being Rani’s stepping out of her house as her parents are against her marriage. Secondly, Rani’s love for Yashraj films has made her to decorate her living room with Yashraj films poster. And the third most vital symbol is Aditya’s 10 carat diamond gift to her.

What Rani has tried to hide for a long time from the world has finally been evoked by a symbol of togetherness which Aditya has gifted her in a special day and time. Now that Aditya’s divorce case has been settled down, we can expect that their wedding is on the cards. On being asked, it is sure that Rani will again reply harshly to the media and refute the diamond gift story but it will be proved on the day when she will tie knot with him.

May be she is planning to surprise all with her impromptu declaration of marriage to Aditya. Well, Rani we are ready for that.


Source: http://www.bollywoodmantra.com/news/aditya-chopra-gifts-diamond-ring-to-rani/2756/?utm_source=rss_feed&utm_medium=rss&utm_campaign=latest_rss

Sunday, January 4, 2009

susmitha sen introduces kiah diamond necklaces


DIAMOND NECKLACE


A diamond necklace is the epitome of desire - ask any lady! they might have said ' Uneasy lies the head that wears the crown ' but ' Poised lies the neck that wears the ( Diamond) Necklace'.

A diamond necklace makes a swan out of a girl- its the ultimate Cindrella fantasy. Tooth fairy and the Prince on the white steed come next !

Let's put it this way - a diamond necklace is not just about diamonds- its the ultimate effect that is a mystique ! Cartier, Baccarat, Bvlgari have created master pieces and history (to go with them).

Kings have wooed princesses, Sultans have re- arranged order in their harems with a little help from diamond necklaces.

Modern day Moghuls like Howard Hughes made life simpler for their lady loves this way.

Richard Burton charming Elizabeth Taylor at Harry's Bar in Venice is part of Hollywood folklore with diamond necklaces playing a very important role.

Possession and continued possession of diamond necklaces has featured in many bitterly contested divorce proceedings- You keep the sports car, I keep the diamond necklace. Literally, Its closest to a women's heart!!.

No wonder, Indian diamond necklace jewelry has become a attraction for ladies in parties, weddings, and formal gatherings in India, Pakistan, Canada, United Kingdom, USA, Australia, Germany and several other countries all over the world.

Endorsed By Bollywood & Hollywood Celebrities : International Celebrities like Jeniffer Lopez, Late Princess Diana, Goldie Hawn, Sally Field, Hillary Clinton, Chelsey Clinton, Elizabeth Hurley, Anna Kournikova, Madonna, Sharon Stone, Jemima Khan have adorned this graceful Indian diamond necklace jewlery at high profile social, music, hollywood and fashion events.

Indian diamond necklace jewelry is clearly the flavor of choice in the West and also the designer choice from the World's Hottest jewelry designers. You might have seen these amazing jewels worn by the leading Indian actresses in Hindi Bollywood movies too. These include the leading ladies Kareena Kapoor, Preity Zinta, Aishwarya Rai, Rani Mukherjee, Kajol, Sushmita Sen, Lara Dutta, Priyanka Chopra, Neha Dhupiya, Madhuri Dixit, Karishma Kapoor, Ameesha Patel, Raveena Tandon, Amrita Rao, Rekha and several others.

Source: http://www.utsavsarees.com/jewelry/diamond-necklace.htm

DIAMOND TRENDS TAKE CENTER STAGE AT 80TH ANNUAL ACADEMY AWARDS


Diamond
Statement Necklaces were the big trend in diamond jewelry that
accessorized many of the Hollywood actresses that hit the red carpet at
the 80th Annual Academy Awards. Oscar presenter Nicole
Kidman showed off one such necklace, a Rough and Polished Diamond
Sautoir Necklace designed by L’Wren Scott, which contained 7645
diamonds, or a total of nearly 1400 carats.

Another celebrity sporting Diamond Statement Necklaces at the
glamorous awards event was Oscar Nominee and Award Recipient Marion
Cotillard, who wore a Champagne Diamond Briolette Necklace of six
carats, and a Light and Dark Brown Diamond Necklace of 106 carats by
Chopard. American actresses Keri Russell wore a Vintage Floral Diamond
Necklace, with 4-5 Marquis Diamonds, with more than 46 carats of
diamonds by H. Stern, and Jennifer Garner, who wore a Van Cleef &
Arpels 1928 Art Deco Diamond Necklace of 61 carats.

Other jewelry trends of the evening were diamond drop necklaces of
all styles, and bold diamond bracelets and cuffs. Actresses Jessica
Alba, Anne Hathaway and 2007 Oscar Winner Helen Mirren all wore diamond
earrings in an assortment of styles, while actresses Amy Ryan, Jennifer
Hudson, Olivia Thirlby all wore diamond drop earrings and diamond
bracelets.

Source: http://njdiamonds.wordpress.com/2008/02/25/diamond-trends-take-center-stage-at-80th-annual-academy-awards/

The Attention of a Diamond Necklace


The movie Titanic highlighted the relationship between Jack and Rose, an unlikely courtship that blossomed into an intriguing love story throughout the story on the true-life, ill-fated ship. The storyline, however, focused on another aspect of the movie; an exquisite piece of jewelry, the heart of the ocean. This beautiful diamond necklace, worn by Rose, was a well-sought out jewel by the characters on the ship, and also by the modern-day characters in the film.

The rarity of this diamond necklace proved to play a controversial role in the film from the beginning to end. Only do we realize at the end of the film, a now seasoned Rose gives the diamond necklace its final resting place.

The diamond necklace in the movie was held in high regard, valued and worn by only the upper-class passengers of the Titanic. Does the entertainment industry then suggest that diamonds are worn only by the privileged and wealthy? Well, possessing real diamond jewelry is not just some frequent commodity for the average person. Diamonds are rare and beautiful jewels, and for that reason they are exclusive.

In fancy jewelry, diamonds are showcased in a collection of necklaces, earrings, bracelets and rings. For special occasions, these diamond accessories complement any formal wear you would display at such places like a fancy ball, a dinner party or a milestone affair like on your wedding day. For women, wearing a strapless gown complemented by a diamond necklace will put all emphasis on the beautiful jewel. Imagine the sparkle you could exhibit by wearing diamond jewelry!

If you are interested in buying a necklace for yourself or for a gift, be aware that a diamond necklace is a pricey, yet worthwhile investment. Such gifts as a diamond necklace should be given to a special loved one or bought with the intention of wearing to formal affairs.

The various styles of diamond necklaces gives one a personalized preference to accompany their formal outfit. For example, actresses observed at an award show are seen wearing distinctive diamond necklaces. For an extravagant look, one movie star was seen wearing a necklace with sparkling diamonds all around the neck. For a simpler look, another actress was seen wearing a thin chain, emphasizing all attention to the solo diamond. Moreover, finding a diamond necklace that suits your preference can well be accomplished with the huge variety of styles to choose from.

With Titanic referring its diamond necklace as the heart of the ocean, a diamond necklace can likewise follow reputation as being a high-valued accessory. If you do decide to give someone a diamond necklace, explore and shop around to a variety to designs and styles and hopefully, you will find the perfect diamond necklace for your loved one!

Harris Michael Jewelry, an Internet-based wholesale jeweler, will help you find the perfect diamond necklace for your special occasion.

Source: http://www.buzzle.com/editorials/11-14-2005-81371.asp